U.S. Marshals

A New Fugitive, A New Chase...
In 1993, Warner Brothers studios released an incredibly successful movie called "The Fugitive" starring Harrison Ford and Tommy Lee Jones, and based on the hit TV series of the same name. 5 years after the success of that film, the WB decided to release a semi-sequel/spin-off to the film focusing on the further exploits of the character of U.S. Marshal, Sam Gerard, played by Tommy Lee Jones. It was surprising that Warner Bros. wanted to explore this supporting character further, in fact it was just as surprising that they felt there could even be any chance of success with having a sequel/spin-off to a movie that was completely self-contained. But, the decision was made and Warner Bros. actually managed to re-sign Tommy Lee Jones, along with the rest of the actors that comprised his original crew of deputy U.S. Marshals, and adding Wesley Snipes and talented, yet troubled actor Robert Downey Jr. to the mix. With the cast all set, the story greenlit, and acclaimed editor turned...

So Much Like the Fugitive
They could have named this one the Fugitive II and gotten away with it. There was a slight lack of originality, but the spectacular cast pulls it off. Overall the movie was good. Tommy Lee Jones does a wonderful job and Robert Downey, Jr. was memorable as well. The comic relief was a must and was appreciated as it helped counterract the amazing suspense level present. I think I will add this one to my collection.

STARTS WITH A BANG, REST IS DECENT POPCORN YARN
If you're looking for more than cheap thrills and bravado, you may be disappointed as US Marshal drags for about half an hour or so more than it needs to. But it rises above its hackneyed chase routines with Jones' commanding screen presence. Some scenes, such as the opening plane crash, are exemplary cinematography. The soundtrack effectively complements the roller-coaster action sequences. There's a surprise twist in the tale too, but don't read too much lest you should spoil it. Recommended rental, for sure.

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